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Thamma (2025) — Movie Review: A Festive, Supernatural Rom-Com That Plays to the Franchise
Thamma arrives as the Maddock Horror Comedy Universe's latest offering — an energetic Diwali release that marries folklore-infused supernatural lore with a light-hearted romance. Starring Ayushmann Khurrana and Rashmika Mandanna, the film aims to be a crowd-pleaser: bright visuals, playful humour, a hint of mythic mystery and franchise teases for fans. Does it deliver? Mostly yes — if you come expecting a fun, rather than terrifying, night at the movies.
Plot Summary (no major spoilers)
The film opens with mythic undertones and quickly fast-forwards to modern times where journalist Alok (Ayushmann Khurrana) becomes entwined with Tadaka (Rashmika Mandanna), a mysterious woman from a clandestine community of "betaals" — an Indian folkloric analogue to vampiric beings. Rescued from danger, Alok is pulled into the sect's internal conflict, dominated by the imposing Yakshasan (Nawazuddin Siddiqui). On the surface it's a romance; beneath it, Thamma explores belonging, identity and the blurry boundary between human and supernatural worlds while threading in the franchise's connective tissue.
What Works
- Visuals & Production Design: The film looks and feels lavish — from dense forest tableaux to moody night sequences. The production design and VFX are polished and often genuinely fun to watch on the big screen.
- Lead Chemistry: Ayushmann and Rashmika strike an easy rapport. Their scenes sell the rom-com elements and keep the audience invested in the central relationship.
- Supporting Cast & World-Building: Nawazuddin Siddiqui's Yakshasan lends gravitas, and veteran faces add comic ballast where needed. For MHCU fans, the film's references and cameos are satisfying world-building beats.
- Festival Timing: Released at Diwali, Thamma's tone — festive, vibrant and broadly entertaining — suits family outings and group viewing.
Performances
Ayushmann Khurrana brings his habitual warmth and comic timing. He isn’t pushed into radically new territory here, but he is perfectly serviceable as the everyman drawn into extraordinary circumstances. Rashmika Mandanna is the film’s heart — she balances stoic mystery and vulnerability, and gets some of the more emotionally textured beats. Nawazuddin Siddiqui is effective in limited screen time: imposing when present, though the role could have benefited from more depth. The supporting ensemble performs reliably and adds texture to the film’s tonal shifts.
Direction, Pacing & Music
Aditya Sarpotdar steers the film confidently through tonal switches — swinging between comedy, romance and supernatural tension. The first half takes its time establishing the world, and some viewers may notice pacing lulls in the mid-section; tighter editing would have helped maintain forward momentum. Sachin-Jigar’s music and the background score complement the film: the songs are serviceable crowd-pleasers while the score does the heavy emotional lifting.
Weaknesses
- Not Scary Enough: If you came for high-voltage horror, Thamma under-delivers — its 'horror' is mild, leaning much more into comedy and romance.
- Pacing Issues: The middle act could be leaner; a few sequences run long and dilute the urgency of the stakes.
- Under-used Potential: Certain characters and cameos hint at larger possibilities but are not always fully realized, leaving a sense of missed opportunity.
Audience & Box Office
Thamma is engineered for mainstream appeal: families celebrating Diwali, franchise loyalists and viewers who enjoy supernatural rom-coms will get what they expect. It opened well in theatres and should sustain on word-of-mouth given its festival positioning and accessible tone.
Verdict — Should You Watch It?
Yes, if: You want a festive, well-shot popcorn entertainer with chemistry, laughs and light supernatural flavour. Watch it with friends or family and don’t expect full-throttle horror.
No, if: You demand boundary-pushing horror, unnerving scares or a radically original script — Thamma plays it safe within franchise conventions.
Bottom line: Thamma is a gleaming, crowd-pleasing entry in the MHCU — enjoyable, visually rich and fun, even if it doesn’t dramatically reinvent the genre.
Closing
Thamma won’t rewrite the rules of horror or romance, but it offers a convivial, visually satisfying movie night — precisely the kind of film families and friends will pick for a Diwali outing. If you’re a fan of the MHCU or enjoy genre hybrids that favour warmth and spectacle over chills, this one’s worth a theatre visit.
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